Hawthorn

Last year’s hawthorn left me this week into the heart and hands of an old client, turned colleague and friend. I gave it to her because I know what it is to leave a place you love, and hawthorn is the medicine for that grief that seizes the heart, that longing for what has been and can never be again. The longing for home that we Welsh call hiraeth, the way our heart has learned to beat with the land and now the separation hurts us deeply.

In the old tales the women keen and wail in the streets, tearing at their hair and clothes. My writing is my keening, my lament that so much beauty goes unseen, my grief that it takes an enormous amount of pain to see with virgin eyes again…

Last year I chose to leave the neath valley, where the dark mountains loomed up and overshadowed me, those benevolent grandmothers of stone shielding their bedraggled little jenny wren. Breathtaking and imposing. After all, “every angel is terrifying”, says the poet Rilke.

I walked the land guided by herons, fairies, rivers and snakes and after two years knew it intimately. This is where the mugwort grows, down a hill so steep you cling to the fence for dear life. They say you must give offerings to the spirit of the plant but sometimes the offering is the journey itself. Wild roses, nettle, clover, self-heal, elder. It takes courage to move on. Courage to trust you will find them again.

Last year’s hawthorn came from that dear valley, at a time when I was sick and lonely and learning to inhabit my body. In the absence of people I befriended spirits. I found a man who could hold space for the wild catharsis of my heartbreaks. This year I am slower, vaster, deeper. My contentment has softened my face and widened my hips. My grief has changed, as everything changes. I am learning a new land.

This year the medicine I am seeking is for something that never was. The hope that from a honeymoon a soul would bloom. A hope washed away by Beltane in the red waters of the chalice well. There is blood that comes when you have been praying for it, blood that does not come when you knew or hoped it wouldn’t, and blood that comes unwanted. The three blood mysteries of joy, glory and sorrow.

Earth mother brings forth her gifts of blossom in the unlikeliest of places, unbidden, often unappreciated. Just like mother earth, I have two children I birthed to two men who did not deserve the gift; my conceptions were like roses bursting through concrete. Like the hawthorn trees next to the junkyard whose flowers I cup in my hands and praise their beauty.

Often seen planted in a row, hawthorn was used by farmers to mark the boundaries of their land. In folk magic the hawthorn also marks the boundaries between the world that is seen and unseen. Spend some time near a hawthorn tree and you might find yourself stepping into that other world, the world of spirit and fairy. In a culture of disembodied spirituality, hawthorn reminds us that place is the portal. It asks us to remember that the heart is our true home. Heaven is indeed a place on earth, not somewhere in the sky with an unseen god. Home is in the flowering, the fruiting, the dying back, and the budding again.

The idea of a virgin womb, or awakened womb, is the ability to give birth to the holy child over and over. Through our craft, our relationships, our families, our missions. Through loss and sorrow. Through pain and abuse. It is the sudden clarity in a dark moment that only love is real. That to bring forth life from our heart and wombs can always only be good. That the world is the place to birth our love, send it out with a mother’s farewell, and tend it when it returns to us battered and bruised. To renew it again.

We overcome loss and allow ourselves to believe again. Our heart takes risks in loving and rooting, knowing what could happen.

The radical innocence of that.

Mantell Fair- “am I not here who am your mother?”

I am in the Physic Garden in Cowbridge, and I am praying.

Lady’s Mantle, friend to women and midwives. Named for the mantle of the Blessed Virgin, who gathers us all under her cloak of protection. Birth work often blends with death work… when I light candles for babies who have passed and for their mothers who grieve for them, I imagine the little souls being held in the goddess’s radiant cloak of stars. I hadn’t expected to see this herb today, but it was also I who started the conversation with her with my prayers. Lady’s Mantle, like the Virgin of Guadalupe, says; “am I not here, who am your Mother?”

I will often put Lady’s Mantle in tea blends for women who have experienced loss, who have seen too much blood or who are longing to bleed. The secret of this plant is that she can do both - the compassionate mother who knows just what her daughter needs.

The leaves of Lady’s Mantle glisten with her tears bright as jewels, the tears of a mother who understands. Alchemists believed this dew was a sacred elixir. Like Mary Magdalene in the gospels who weeps and weeps, feminine tears are the water of life and renewal. I think of sacred sexuality author David Deida and how he describes the radiant beauty of a woman openly crying. The key is feeling safe enough to be open.

Often I will speak to an expectant or new mother and she will say; “I’ve been crying” and I will tell her good, this is good. Women come to my home to be wrapped in rebozo cocoons as tears slide down their faces. When we are feeling vulnerable in the childbearing year, other women are the mantles that we crave to have wrapped around us. I remember my mother telling me as I held my new baby to my breast;

“It’s the mothers that don’t cry that you need to be most worried about”

Motherwisdom. This is the dew that I drink from the leaves of my mothers and grandmothers, from the women around me. These are the mysteries of the womb. With the divine power to create also comes deep sorrow, in the next moment that sorrow becomes joy again, and around and around we go on the journey of the heart.

“Our dear Lady’s Mantle give her tears between the dawn and the dew. Kneel before her between your courses, sip them up with your tongue, and a child she’ll bring to you” goes the folklore.

And I kneel, and I drink, and I bless my forehead, womb and heart.

St Melangell, the goddess in the yew tree

St Melangell, the goddess in the yew tree

Nestled in a valley and down winding tracks in North Wales you can find the shrine of St Melangell. The legend says that the Irish woman was praying there when the local prince's hound was chasing a hare. The hare found refuge under Melangell's cloak and the hounds and the prince retreated, powerless in the presence of feminine love and devotion. The hounds were frightened and the prince's horn would not sound.

If you look beneath the christian retelling you find a local goddess and her hare companion, the hare representing the old faith of the people, possibly a fertility cult. The hunting horn, that phallic symbol of conquest, withers in her presence.

Melangell shelters the old worship of the feminine from the hound of religious patriarchy and the local prince who tries to enforce it. They are ultimately powerless. The goddess adapts, she reinvents herself. She survives from age to age. Inside the church, where paintings of hares and ladies were abundant, was a small statue of a crone. Like the other virgin goddesses with the yoni-like folds, hares concealed within. As ever, the goddess spreads her mantle around us in protection. The worship here is so blatant, so wonderful to behold.

But where I really met with Melangell is in the churchyard, where the yew trees are ancient and wise and their branches cover you like the hare of the tales. The most vast of them all with branches like a cloak concealing the trunk, so that you have to part the folds to enter her womb.

Standing amongst the bird feathers, nestling my offering in her branches, I realised the saint was the tree herself, sheltering so many generations. I felt her breath move through me as she spoke and her words moved up my spine... whispering, awen.