St Joseph, Sacred Stepfather

On the 19th it is the feast day of St. Joseph. I’m a folk witch, which means I draw my spiritual practice from my domestic life, from the religion of my ancestors and the wheel of the year, woven together. My helpers are the saints, ancestors and the Madonna. My tools are oil, salt, candles and holy cards. The weaving brings great joy and meaning to me, and I, for as much as possible, reside in the part of my brain that holds poetic memory. In the words of Milan Kundera;

“The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful …”

Our concept of fatherhood is a modern one. For the smallest part of human history have we had nuclear families, for an even smaller part of human history we have had testing to determine which child is biologically connected to which father. It was not so long ago that in Scotland the royal line was determined through the mother, as biological fatherhood could never be certain. In Judaism still, the line comes through the mother.

For our ancestors, who worshipped the Great Mother and women as her earthly representation, father was a social role that was bestowed upon a kinsman of the mother - her uncle, or brother, or other relative. It was understood that the father would earn the child’s love and guide and protect them as they were growing. It was an honour.

I think of the word husband, so like the word husbandry… the respectful cultivation of the land. I think of the kingmaking ceremonies of the past, where the Great Mother would choose the steward of her body, the earth. This is where we get the legends of the holy grail and the Fisher King, who is dying from the wound in his thigh, as the land is laid waste around him. What happens when the steward does not fulfil his role, and the feminine principle is abused?

What happens when the husband thinks the land belongs to him?

In my own story, these concepts of fatherhood are something I must marry within. I see fathers protecting the mothers of their children so beautifully as bodyguards of the birth space, catching babies in birth pools, kissing brows, singing songs, holding vomit buckets. There is something so breathtaking about seeing a man staring into the eyes of his newborn baby, skin to skin, faces mirrors of each other. And yet, the law has allowed a man to terrorise me for years based on our modern understanding of biology and who owns who. My children have a wonderful, gentle and dedicated stepfather. I want to hold all these truths in my heart and remember love. So I pray.

In folk magic, St Joseph is the one you want when you’re moving house. There is a tradition of saint punishing, whereby if you bury his statue upside down in your front garden he’ll get your house sold so you’ll turn him upright again. Traditionally, the father builds the structure of the house, the mother makes it a home. In folk magic, you give offerings to St. Joseph depending on how well you have been “provided” for in the year that has passed.

Legend has it when they were choosing a husband for Mary, Joseph threw his staff down and it sprouted lilies, recognising him as the chosen one. There is something so undeniably erotic about a staff ejaculating flowers and we see the symbolism of renewal in March, where the sun awakens the life within the earth, like the father awakens the life within the mother. In the ancient love poem of the goddess Inanna and Dumuzi, Inanna says “he has sprouted, he has burgeoned, he is lettuce planted by the water… he is the one my womb loves best” which signifies to me that Joseph is also the Goddess’s chosen lover.

In the story of the Fisher King, of the wasteland that occurs when the King does not honour this sacred contract between man and earth, the question the knight must ask is “what ails thee?”

On St. Joseph’s day, I would like to propose that what ails us is a lack of sacred fatherhood and good husbandry. The story of the birth of Jesus, of a man acting as doula to the Goddess awakens us to the remembrance of social fatherhood as an honoured role. It reminds us that love and protection of the feminine principle and devotion to the divine child, which is another name for life on earth, the fruit of the womb of the Great Mother, is essential if we are to reclaim all that we have lost in this wasteland. The flowering staff reminds us of the beauty and wonder that can be found in making love, of a phallus that is not a weapon but that sprouts lilies and renews the land. Lilies symbolise purity, the innocence, pleasure and joy of our sexuality before we linked sex to property.

We may reflect on all this and ask ourselves - so is Joseph the father or the stepfather? The answer is both. We marry social and biological fatherhood. We honour them both. We remember conscious conception, and that a child begins as a desire in the mother’s heart, to which she invites the worthy man of her choice to participate in the miracle of creation and nurture.

“You are the one my womb loves best” she whispers to him.

Moon Woman

It’s the full moon and I’m thinking about blood.

I’m a red moon woman and have been for years, my gestating in service to women, my shedding in service to the tribe. The word “ritual” comes from the Sanskrit word “rtu” meaning menstrual blood. The original ritual, everything else either imitating or honouring.

Everywhere I look I see co-opting and synthesising, Abrahamic religions and paganisms alike. The animals sacrificed in the temple because women were no longer allowed to sit and give back to the earth free of fear and pain. The jealous wives and warrior daughter goddesses replacing the Mother of All. The sacred heart of Jesus, pulsing like a womb full of blood. The communion chalice that lets you taste the blood of god… women know where the blood of god really comes from.

Speaking of tasting the blood of god…

I’m a Welsh woman who has studied with druids and I see the tale of Ceridwen for what it truly is. The cauldron of the dark mother, a womb of magic and enlightenment. She’s brewing the awen, inspiration, Holy Spirit, Shekinah for her son, to take him from a grotesque form of consciousness to one of Love.

The other boy, Gwydion, tastes but a drop of her menstruation, and his initiation begins. She gives life, and she consumes life. He cannot outrun Her, can only surrender and allow himself to be birthed again from her Cosmic Womb.

Now he is the greatest bard who ever lived.

Return return return return.

Lady Of Avalon

The day I saw the Lady of Avalon…

Glastonbury is one of my favourite places on earth. So many times in my life I have driven there as if carried by invisible wings - in despair, joy, anticipation, escape. The familiar trickling sound of the Chalice Well spring as you immerse your feet and drink the sacred waters. The echoing Magdalene Chapel where time seems to stand still, where singing voices ring sweet and true, fingers tracing labyrinths. The Tor, every climb like a rebirth, there and back again, always changed.

There was one thing that kept me going in the first coronavirus lockdown as a single parent with post-traumatic stress disorder home-educating two children who suddenly couldn’t offer her soul work to the world in the way she usually did–

“When this is over, I’m going to Glastonbury”

I had joined a druid group and I decided I would do my first rite on the Tor. There was a sweet spot between lockdowns where we were able to travel and off I flew, my first time without the children in so long, only to find the Tor crowded and busy. A friendly man who wanted to talk monopolised a lot of my time and it was getting cold. I also got scratched on brambles doing a “wildie”. There is a peaceful field at the bottom of the Tor where you can admire it from afar and I can often be found there napping on days when I am lucky enough to go to Avalon.

I went into meditation to begin the rite, my body full of endorphins, invigorated by the climb and by the sheer joy of freedom.

And She appeared - with dark hair, violet clothing, luminous skin with a violet hue. She called me by my name as she stood in the space between Tor and fields. I cannot remember much about the meditation except that the air felt like it was humming, and I was filled with clarity and peace. I did not think She was the Lady of Avalon at the time, as I was not yet at that point on my path.

Imagine my surprise when months later I open “Priestess of Avalon, Priestess of the Goddess” by Kathy Jones to find the Lady looking right back at me, as I had seen Her!

Artwork by Thalia Brown